I had the pleasure of filming Karwa Chauth this Saturday (Oct. 15) in Palm Meadows. This is the exclusive neighborhood of Whitefield (a suburb of Bangalore) where much of the ex-pat community lives or Indians, who have lived abroad and returned to India at a higher socio-economic position, live. It’s a day long fast performed by married women for the good health and prosperity of their husbands. It’s mostly performed by North Indian women. As Bangalore is in the south, I was thankful to be invited to film this major festival among women who celebrate the tradition. It was kind of unusual to be filming this in Palm Meadows, a highly developed westernized housing division as described in an earlier blog. The irony was that in this modern community the Indian women kept an old and perhaps even archaic tradition alive. The women dressed in fancy saris, lehengas or salwar suits with ornate jewelry. Some of the women had mehndi (henna), which is considered a symbol of good fortune for married women in the Indian culture. Some believe the darker the henna color, the more they are deeply loved by their husbands. Typically during Karwa Chauth women also receive expensive gifts from their husbands and relatives.
The Meaning
Traditionally women used to marry at a young age and then live with their in-laws or husband in other villages, leaving their parents and relatives. This was during a time of no cellphones, buses, trains, etc. By living in these new surroundings women would have no support network. As a result, when a bride reached her in-laws after marriage, she would befriend another woman, who would be her friend for life. Thus Karwa Chauth was started as a festival to celebrate the sisterhood formed among new brides. The fast to honor the husband started because this female friendship started after marriage. Hence, the festival of Karwa Chauth was to renew and celebrate the relationship between female friends. It used to be a grand social occasion when the world did not have email, cellphones or list-serves women could use to support each other.
The Puja Process
The fast of Karwa Chauth is kept nine days before Diwali. It falls on the fourth day of the Kartik month by the Hindu calendar. At 4:30pm, the women of Palm Meadows gathered in a neighbor’s home, who had arranged the puja. One of the women in the circle narrated the legend of Karwa Chauth reading from her iPhone.
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Items used for the puja included: a special mud pot symbolizing Lord Ganesha, a metal urn filled with water, flowers, idols of Ambika Gaur Mata, Goddess Parvati and some fruits and food grains. A part of this is offered to the deities and the storyteller. Everyone lit a diya (cotton wick dipped in ghee) in their thalis while listening to the Karwa story. Sindoor, incense sticks and rice are also kept in the thali. In the evening, once the moon rose, the women looked for its reflection in a thali of water, or through a dupatta or a sieve. They offered water to the moon and sought blessings. They prayed for the safety, prosperity and long life of their husbands. This marks the end of the day long fast.Categories
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Indira S. Somani, Ph.D. is an Independent Documentary Filmmaker. After a 26-year-career as a television newscast producer and broadcast journalism professor, Somani moved to LA and enrolled in the MFA in Directing/Production, Documentary film program at UCLA. Currently in production is a personal documentary about her role as a caregiver for her Mom who battles depression. The film reveals how much Somani and her mother rely on each other for emotional support. Other films Somani has directed and produced include Life on the Ganges (2017), a 10- minute documentary directed, produced and filmed in Varanasi, India, during Dev Diwali, when people from all over India travel there to bathe in the Ganges River. The film screened in film festivals in the U.S., India and Europe and won Best Short Documentary at the Berlin Independent Film Festival, and the Cannes Short Film Festival. Another film Somani directed, produced and wrote was, Crossing Lines (2007), a 30-minute personal essay documentary about her struggle to stay connected to India after the loss of her father and to maintain and preserve her Indian cultural identity. The film won numerous awards, screened in film festivals nationally and internationally, aired on PBS affiliates through NETA from 2008-2011, and has been used by more than 100 universities as a tool to teach intercultural communication in the classroom. Both films are in distribution through New Day films.
Somani’s doctoral research studied the media habits and effects of satellite television on the Indian diaspora, specifically the generation of the Asian Indians in the Washington, DC metro area, who migrated to the U.S. between 1960 and 1972. She expanded her research to study the media habits, acculturation, and social identity of the same generation in the New York-New Jersey area, San Francisco, Houston and Chicago. For the fall of 2011, Somani was awarded a Fulbright-Nehru Senior Research Fellowship to study the Western influence of Indian programming in India.
While teaching at Howard University’s School of Communications from 2012-2021, Somani’s research shifted to study Black Broadcast Journalists and how race had an impact on their success in the newsroom. She has been published in several academic journals and has also co-authored two book chapters.
Somani’s academic career was preceded by 10 years as a television news producer, most notably with CNBC and WJLA-TV, the ABC affiliate in Washington, D.C. Somani has also been a leader of the South Asian Journalists Association (SAJA), where she has also won several “Outstanding” awards for her coverage of South Asians in North America. Prior to teaching at Howard, Somani taught journalism at Washington and Lee University (Lexington, VA) and American University’s School of Communication (Washington, DC). Somani earned her Master’s in Journalism from the Medill School of Journalism, Northwestern University in 1993, and her Ph.D. from the Philip Merrill College of Journalism, University of Maryland, College Park in 2008. Somani is expected to earn her MFA in Directing/Production from UCLA by Dec. of 2022.